Monday, May 19, 2008

20th Anniversity World Expo 88 Celebrations

This is Part II of Expo 88. The previous post covered
the period from June to October, 1988 and this post
covered the 20th Anniversary held on the Expo site
on
10th May, 2008.

We started our walkabout around the old Expo site
and one of the first things we came across was the
Kookaburra Queen, a paddle boat, which was offering
1988 prices of $5.00, for a one hour cruise up the
Brisbane River. The first cruise left at 11.00am so we
were lucky enough to board just in time before the
cruise departed.

The next cruise was at 1.00pm and when we returned
there was a large crowd lined up waiting to board, as
you will be able to see in the photo. I’m pleased we
caught the first cruise as I would not of been too thrilled
to be caught in this line up.










During our cruise down the Brisbane River we
passed by the centre of the CBD.












The CityCat vessels are catamarans. Services
began in 1996 with 6 vessels, each capable of
carrying 150 passengers, with two further vessels
being added to the CityCat fleet in 1998 due to
increased demand. This is very popular with
tourists as it is a pleasant way to travel past
such
Brisbane
icons as the Story Bridge and
South Bank Parklands.












There were 45 minute concerts held at the Suncorp
Piazza, a huge under cover area that has been kept
as is since Expo 88 and many free events are held
there all year round.












There were 3 free movies shown on a huge outdoor
screen. At
1pm there was “The Neverending Story”
(a film my daughter Olivia loved when she was young,
and coincidently I brought this film on DVD for Olivia
last November when I visited her in Mackay).
At
3pm there was “E.T. The Extra Terrestrial” and at
5pm there was “Back to the Future”.

A photographic display of over 30 images was
showcased throughout the bougainvillea arches.

A Kids Expo was held with free outdoor art activities,
including face painting, kite making and musical workshops.

One of the acts in the Piazza was of two lovely ladies
doing a balancing performance on a hoop over the
audience and fortunately we were quite close to where
they were, so I was able to take a number of photos
of their act. They were excellent.










































There were roving entertainment of street performers,
and this was one of the most hugely popular events at
Expo 88. You could be assured if there was a large
crowd somewhere it would caused by one of the street
performers “doing a crowd stopping” act. These were
extremely well acted performers and we saw three of
these today.












Three different types of Street Performers...all were great.


There is not a lot one can do to try and make
these performers move, no matter how hard
some people attempt to persuade them.

















Another attraction was the Human Factor Sculptures,
and it was these that attracted me to go back to
re-visit again. Some of the original sculptures were
sourced and restored and these were featured
throughout the parklands, but unfortunately these were
hard to find. We found three of them, but I’ve cheated
and I’m showing some of these I’ve “found on the net”
(there were nearly 80 sculptures) and it is these I am using.







Busker


…………..................................Campfire









...............A Quite Moment










..........Old Lady







..........American Tourist


Balancing Act







.........Astronaut's..................................Balancing Act










Some More Street Performers









We stayed until 4.00pm and
all in all we had a enjoyable
time and some great memories
were relived.

Monday, May 12, 2008

Revisiting Expo 88 held in Brisbane

On Saturday 10th May 2008, there was a 20th
Anniversary World Expo 88 Celebration, so
Rosalind and I decided to attend. We caught
the train at
10.35am and then walked the short
distance to recapture our memories of
20 years past.

Before I do the post on the 20th Anniversary of
Expo 88, I thought I'd revisit the time I spent at
this marvellous event with some memories and
photos I have "captured" from researching this
period.





Wazza and Rosalind at South
Bank, the site of Expo 88




Expo '88 ran for seven days a week, between the hours
of
10am-10pm, for six months. From the opening on
30 April, attended by Queen Elizabeth II, and
30 October
1988
, the Expo attracted 15,760,447 visitors, the target
attendance had been set at 7.8 million. The opening
ceremony was broadcast to an estimated television
audience of 800 million people internationally. The majority
of visitors were Australians. Most of the international
visitors were Japanese, but 100,000 came from the
United Kingdom and Europe, with 150,000 visitors from
the
United States. A total of 36 nations, two international
organizations, 14 state and regional governments, and
34 Corporations had exhibits. The exposition averaged
100,000 visitors a day, with highest day of attendance
being 184,000 visitors on
October 29, 1988 - the last day
before the Closing Ceremony.

.................Expo 88 during the day.

..................Expo 88 during the evening.

Situated on a 40-hectare site on the southern bank
of the Brisbane River, a former collection of disused
railyards, light industry, residential and parkland directly
across from the Brisbane central business district, World
Expo '88 was the largest single event commemorating
the Bicentenary of European settlement to Australia
(1788-1988), and a Australian competition was sanctioned
as an international exposition to the City of
Brisbane
- Australia
's third largest city.

The Monorail passing above the Canadian Exhibit.

A monorail was constructed for Expo '88 to take visitors
quickly around the Expo site. Costing AU$12 million, it
consisted of 2 stations at either end of the site,
2.3 kilometres of track and 4 nine-carriage trains.
The route included going through the
Queensland Pavilion,
across the Pacific Lagoon and beside the
Brisbane River.
The system was able to carry 44,000 passengers per day.

...........The Nepalese Pavilion.

The only remaining traces of the Exposition on the former
site are: the Nepalese Pavilion, a traditional three-storey
hand-made wooden replica of a famous Pagoda in Kathmandu,
the board walk at the South end of the parklands, and
two pubs (hotels).

Crowds outside the Australian Pavilion.

As 1988 began I purchased a season pass so that I
could attend Expo ’88 at any time on any day. A friend
also purchased a season pass and we decided to go
every Wednesday after work. We also went on week-ends.
In the six months we would of attended all the different
exhibits, some more than once. I had a Super 8 movie
camera, but video cameras were taking over from movie
cameras, so not far from South Bank (where Expo ’88 was
held) was a camera store that hired out video cameras.
This was well before the advent of today’s small digital
video cameras. The camera I hired took the full sized VHS
tape, so this unit was huge. To operate the camera was a
battery pack and this was HUGE and weighed “a ton”.
When the battery ran out of charge you could take the
battery back to the camera store and they would replace
the battery pack with a fully recharged battery at no extra
cost. The VHS tape had three hours of recording time on
the tape. Now this is a long time. We were there from

10.00am until 5.00pm when we had to have the video
camera back to the shop. Now that’s 7 hours walking
around or over 2 and a bit times of VHS recording using
over 2 VHS tapes. If you’ve never used a video camera
I can tell you that you are not using the video continually.
One would take a bit of video here and a bit more there.
You would not be filming all the time. It seemed to me
that I was doing a real lot of filming, but I did not get
through one VHS tape (and I knew from previous
recordings that there was no way I would use up the
3 hours of the tape). Finally maybe the next day I loaded
the tape into the video machine to view what I had taken.
If memory serves me correct there was maybe
20 minutes of video. Now that doesn’t seem like a lot of
video, but let me tell you that is properly the average
amount of time one would take doing this time of filming.
At days end my shoulder was so sore from lugging this
very heavy battery pack around the Expo site.

Daily concerts were held at the River Stage.

Strolling through some of the exhibits at Expo 88.

Sunset overlooking the Expo 88 site.

The Kookaburra cruising pass the Expo 88 site.

I was going to do one post on the 20th Anniversary of
Expo 88, but after researching this event I realized that
to do this I would have one heck of a huge post, so I’ve
decided to split the post into two parts.
I will continue this in a few days.

Wednesday, April 09, 2008

Charlton Heston, Yet Another Great Legend Gone

Less than two weeks later, after Richard Widmark had
moved onto that big movie studio in the sky, another
great legend of the silver screen has also joined him.
The first movie I can recall seeing Charlton Heston in
was “The Greatest Show on Earth.” There were other
films I saw like "Arrowhead"; "Pony Express" and
"The Naked Jungle" which
is a 1954 film directed by
Byron Haskin, and starred Charlton Heston and
Eleanor Parker. The film told the story of an attack
of army ants on a Brazilian cocoa plantation.
The film's title is presumably a reference to how the
ants "strip" the jungle and turn it into a wasteland.

The next biggie I saw was “The Ten Commandments”
and then there was “Ben Hur”.

Charlton Heston, who portrayed some of history's most
extraordinary men -- from Moses to Michelangelo, John
the Baptist, Ben Hur to El Cid -- has died. He was 84.
The actor, who won a best actor Oscar for the title role in
1959's "Ben Hur" who died on Saturday the 5th of April,
at his home in Beverly Hills with his wife Lydia at his side.
He had been diagnosed with symptoms similar to those
of Alzheimer's disease.
Heston had a hip replacement in
1998. He was diagnosed with prostate cancer later that year.
Following a course of radiation treatment, the cancer went
into remission.

Charlton Heston holding the Academy Award he won for "Ben Hur"

John Charles Carter was born October 4, 1923, in Evanston,
Illinois. His father, Russell Whitford Carter, moved the
family to
St. Helen, Mich., where Heston lived an almost
idyllic boyhood, hunting and fishing.
He entered
Northwestern University's School of Speech in
1941 on a scholarship from the drama club. While there, he
fell in love with a young speech student named
Lydia Clarke.
They were married
March 14, 1944, after he had enlisted in
the Army Air Forces.

...........Charlton with his wife Lydia.

He served for two years as a B-25 radio operator/gunner
stationed in the Alaskan
Aleutian Islands with the Eleventh
Air Force, rising to the rank of Staff Sergeant.
Their union was one of the most durable in
Hollywood,
lasting 64 years in a town known for its highly publicized
divorces, romances and remarriages.
After the war, he went on countless auditions as a stage
actor in
New York. His professional name was a combination
of his mother's maiden name, Charlton, and the last name
of his stepfather,
Chester
Heston.













Two Scenes from "The Ten Commandments"
with Heston playing Moses





Producer Hal B. Wallis, spotted Heston in a 1950
television production of "
Wuthering g Heights," and gave
the young actor his first professional movie role in
the crime drama "
Dark City," which led Cecil B. DeMille
to cast him as the circus manager in "The Greatest
Show on Earth," which won the Oscar for best picture of
1952.
This also starred one of the funniest comedienne
and under rated actresses Betty Hutton. Also appearing
was the great Jimmy Stewart who placed a clown in the
circus and Jimmy never appeared in the film without his
clown make-up.

“Ben Hur” was arguably Heston's most famous role and
the only one that earned him an Oscar, he was not the
first actor considered. Burt Lancaster, Paul Newman and
Rock Hudson were under consideration for the role of
heroic
Judah Ben-Hur. The film's breathtaking chariot race,
directed by legendary stuntman
Yakima
Canutt, took five
weeks to film and required 15,000 extras. The film won
11 Oscars, including best picture and best director for William Wyler.

What a lot of people remember from “Ben Hur” is the
chariot race, but before the race
Judah
Ben Hur had
been placed in a Roman gallery where he spent many
years as a galley slave.
Almost as spectacular as the chariot race is the huge
sea battle where he saves the Roman captain of the
gallery and thus obtains his freedom from slavery.



















Stuntman and second unit director Yakima Canutt
was responsible for the orchestration of the chariot
scene. He obtained more than a hundred horses to
make up the eight teams, with backups. Heston
describes the care Canutt devoted especially to
picking Ben-Hur's white horses and Messala's black
horses for the scene, as well as their training and
the selection of the stuntmen to drive them. Heston
recalls in his autobiography “In the Arena” training
at least two hours a day for six weeks with the four
teams of white horses Canutt had picked for him.
"Over the weeks Yak made me into a modestly
competent charioteer," Heston acknowledged, and
yet he still fretted that his skills were not adequate
to the scene. "Y'know, Yak, I feel pretty comfortable
running this team now, but we're all alone here.
We start shooting this sucker in ten days. I'm not so
sure I can cut it with seven other teams out there."
Heston finishes the story:
Yak looked at me and pushed his cap back on his head.
"Chuck, you just make sure you stay in the chariot.
I guarantee yuah gonna win the damn race."

A little bit of trivia. Yakima Canutt was the stunt
double for John Wayne in
Wayne’s first big hit
movie “Stagecoach” directed by John Ford.
During the Indian attack when Wayne leapt off
the coach onto the first horse and then onto the
second and final third (lead) horse Wayne was
doubled by Yakima.

Playing larger-than-life heroes seemed to carry over
into real-life politics for Heston. He was one of the
major
stars who marched with the Rev. Martin Luther
King Jr. during the civil rights era.

Following the assassination of Robert F. Kennedy in
1968, Heston and actors Gregory Peck, Kirk Douglas
and James Stewart issued a statement calling for
support of President Johnson's Gun Control Act of 1968.
He opposed the Vietnam War and said he voted for
Richard Nixon in 1972.

Sidney Poitier, Harry Belafonte and Charlton Heston at a civil rights rally.

Heston will be best remembered for several cinematic
moments: playing a deadly game of cat and mouse
with Orson Welles in the oil fields in “Touch of Evil”.
In “Planet of The Apes,” a science-fiction tale in which
he played the only human who could speak in a world
ruled by chimpanzees, gorillas and orangutans, uttering
in one scene, “Get your stinking paws off me, you damned
dirty ape” and then his rant "Damn you. Damn you all to
hell!" at the end of “Planet of the Apes” when he sees
the Statue of
Liberty.



The final shocking scene from "The Planet of the Apes"















Three Scenes From "The Planet of the Apes".

A little bit of trivia. Edward G. Robinson was to play
one of the apes but he suffered severe rashes to his
face from the special ape make up and was unable
to play this role. Then in “Soylent Green” Robinson
play a very small but moving part near the end of
the film, where as he was dying a beautiful piece of
film and classical music was projected on a screen
as he passed away. Whenever I think of this film I
always remember this scene and how sad but yet
how uplifting it was for Robinson to see the world
he used to know before Soylent Green took over the world.

In “Soylent Green” (1973), based on Harry Harrison's
story Make Room! Make Room! imagined an alternative,
polluted future in which nutrients are supplied by green
tablets supposedly made of soya beans and lentils (and
called soylent green). In fact, as Heston discovers in the
film, they are processed from the recycled flesh of corpses
because in a sunless world no vegetables will grow.

Although Heston had fond memories of working with
Welles, Wyler and DeMille, he did not always get along
with filmmakers, especially the hard-living Sam Peckinpah,
who directed him in the 1965 intense western “Major Dundee.”

As Heston recalled it in his autobiography (which I have
in my collection and found to be a enjoyable read) the actor
took umbrage after Peckinpah changed directions and swore
at the actor for disobeying his command. Heston drew his
saber and rode full-speed at the director, who leaped aside
only moments before the sword-wielding actor galloped past him.
“I can't believe I would have actually ridden Sam down, let
alone sabered him,” Heston wrote. “But I was as angry as
I can remember being in my life.” Heston would call
“Major Dundee” a “disappointing” film.
This film has since been re-released on DVD as a Director’s
Cut and I found this DVD release much more satisfying to
watch than the original version (that had been taken off
Peckinpah and re-cut and re-edited by the studio) and it
was this re-cut version which was shown at the cinema
and subsequently released on video cassette.

Heston, who was known as Chuck to his friends, was
popular within the movie community and, like Reagan,
was elected president of the Screen Actors Guild,
serving six terms from 1965 until 1971 and he also
chaired the American Film Institute.

Herston became a staunch opponent of gun control.
Elected president of the National Rifle Association in
1998, he held the job until 2003 and he proved to be
a powerful campaigner against what he saw as the
government’s attempt to infringe on a Constitutional
guarantee — the right to bear arms. In a speech at
the N.R.A.'s annual convention in 2000, he brought
the audience to its feet with a ringing attack on gun
control advocates. Paraphrasing an N.R.A. bumper
sticker ("I'll give you my gun when you take it from
my cold, dead hands") he waved a replica of a colonial
musket above his head and shouted defiantly,
"From my cold, dead hands!"

Heston frequently spoke out against what he saw as
evidence of the decline and debasement of American
culture. In 1992, appalled by the lyrics on “Cop Killer,”
a recording by the rap artist Ice T, he blasted the
album at a Time Warner stockholders meeting and
was a force in having it withdrawn from the marketplace.

Charlton Heston was cast as Michelangelo in the 1965
film version of Irving Stone's novel "The Agony and the Ecstasy."















Chuck with his wife Lydia and showing his medal after he was named Commandor in the Arts and Letters Order by French culture minister Philippe Douste-Blazy in Paris Monday March 17, 1997.

Charlton Heston during the signing of his book “In The Arena”

Although his days as the leading man were over, he
worked steadily in small but interesting roles, including
the one-eyed CIA director in James Cameron's
“True Lies,” the Player King in Kenneth Branagh's
“Hamlet,” a high-powered football commissioner in
Oliver Stone's “Any Given Sunday” and an uncredited
appearance in ape attire in Tim Burton's 2001 remake
of “Planet of the Apes.” (which in my opinion was bloody awful).

Chuck with Joey playing a guest role on the sitcom "Friends"







Charlton Heston is survived by
his wife,
Lydia,
their son Fraser and their adopted daughter Holly Rochell.


Charlton had appeared in over 100 movies and in
numerous TV shows. No matter what one may of
thought of some of the controversy he caused with
his views on gun control, it is the volume of work
that Chuck has left behind for all to view now and
for future generations to enjoy for years to come.
Only time will tell whether the film stars of today’s
movies will be as fondly remembered for as long
as yesterday’s legends have been appearing on the
big screen, then on TV, video cassette and now DVD.

Sunday, April 06, 2008

We're All Getting Old, Some Seem/Look Older Than Others

It sure makes you feel better as one gets older to know that
it's not just you that the ravages of time effects.
Have a look at these well known people to see that even the
"rich and famous" are subject to the same "ole' father time"
as we all are, although mind you a lot of "rich and famous"
women seem to have found the secret of "the fountain of
youth". Perhaps the face lifts and tummy tucks might have
something to do with this.















Clint Eastwood..........................................................Arnold Schwarzenegger
















Roger Moore..................................................................Pierce Bronson

















Rod Stewart..................................................................Richard Gere

All photos can be enlarged by clicking on each picture.

Looking at these photos I don't feel so bad when I look in
the mirror. I must admit that I wouldn't wear some of those
swimming costumes that some of the "oldies" are wearing.
Talk about maybe sending some folks into therapy when
getting a look at these "revelling" Speedos, togs, swimming
costumes.